It is water, in every form and at every scale, that saturates the mind. All the water that will ever be is, right now. - National Geographic, October 1993
Shaped like feng shui mirrors, these wet portals are reflecting pools that act as windows between two parts of the world, displaying the qualities of light in the sky in one location on the bottom of the pool at the other location. Although the origin of the concept is Taoist, Feng shui mirrors have become ubiquitous thoroughout the world, one finds them in Latin America, all over North America, and in Europe. Mirrors in feng shui practice are meant to protect against visible and invisible threats. However, now that this practice has been spread to other countries and is being reinterpreted by other cultures, the device is routinely scoffed at or mocked by designers and pop culture. Like the dadaists of the early 20th century, our use and recombination of the feng shui mirror with an equally ubiquitous and ”watered-down” reflecting pool is an attempt to reclaim these forms and allow them to resonnate as a collage of form, culture, and the input of visitors. Technology in this case should be as invisible as possible in its role of facilitator to natural human interaction and perception.
The bottom of each pool acts as a translucent screen to transmit light and images from one basin to another. Each portal will be equipped with a video projector and a camera. The video camera will be mounted below the bottom of the basin, positioned to project the optimal quality image onto the surface of the bottom of the pool. Mounted at the center of each basin, the submersed camera provides a live video feed to a projector located below the screen in the other location. Alternate designs could use led screens or midi flood lights depending on budget. As a visitor approches a portal, their silhouette against the sky will be visible in the screen at the other portal. A visitor approaching a portal, will not see the change in the lighting conditions they are creating in the other portal, instead, they will observe the sky conditions and the silhouettes (if any) of people around the portal at the other location. As a visitor comes up to the edge of the water, ripples will emanate from the edge nearest them and move over the surface of the water. If the visitor walks around the edge of the portal, the ripples they create will always come from the edge nearest them. More visitors means more ripples on the surface of the water of the pool emanating from the points along the edge they are standing by, and more visible silhouettes in the portal at the other location. Ripples from viewers on either side of the connection will effect the water surface on both pools.
By selecting a location on the opposite side of the world we hope to optimize the disparity in lighting to invite people to wonder why such unexpected colors of light are coming from the base of the pool. Some night lighting might need to be added if there is insuficient illumination to produce a noticible contrast.
